Writing away the Shadows

The Winter Solstice, which I passed with a small group of lovely (vaccinated and boosted) new friends, was, as it always is, a charm against my onset-of-winter melancholy. Though the prairie winds blow cold, now that the days are slowly lengthening as we stretch our way to spring, I am okay. I am well, I promise, but I need to write a few bitter shadows off my heart.

I have survived another set of holidays. Another four seasons. Another year without her, my baby girl, my Mack. I have passed another 365 days of missing her grin and her giggle and her light against my darkness. This year was not easy. Nor was it easier than last year, or the year before that. It is not getting easier, despite the promises of well-meaning people trying to make me feel better. For me it will never be easy. It will just be different. Different the way summer feels different with every additional year between the human I am now and the human I was when I was barefoot and ten in the backyard of childhood.

I know myself well enough to accept and to admit that from Thanksgiving through Christmas, I am the worst of me. Sorrow, anxiety, and impatience override joy, productivity, and peace. The short days and long nights and my false cheer for the holidays and my shame for humbug plague me, and they will, I suspect, forever conjure the ghosts that haunt me. My grieving-mother sadness is the primary source of my melancholy, of course, but I also suffer from Seasonal Affective Disorder, which rubs like course sandpaper against the raw edges of my grief. This is an annual torment, and it always takes me three cycles of the moon to accept the end of warm and joyful summer.

Yet this December I leaned sadder than usual. My divorce being finalized and my beloved dog Pepper’s health problems cast menacing spells against my spirit and made the melancholy debilitating for a number of days. Burying a female house sparrow who died on my porch on December 19 made the last two days to the Winter Solstice a moody struggle. And although I have tried to keep other negative emotions in check, I have also been angry and filled with despair. My fury and frustration rising with every new report on the climate crisis, deadly tornadoes in December, and the pandemic going on and on and on because so many selfish Americans falsely believe that public health policy is a violation of their individual rights.

“What about my individual rights,” I screamed as I paced through my empty house these past few weeks. “Don’t I deserve during my hardest time of the year to be surrounded by people without having to worry about my health and the possibility of making my loved ones unwell?” Family and friends are my medicine against grief, and this fucking pandemic has withheld in large measure the remedy that sustains me.

And then there was the added insult of writer’s block.

In early November, I began a new scholarly project, which during my struggle season was unfortunate timing. At the beginnings of big projects when I am setting my head to a difficult task, the intellectual power that effort requires zaps my energy, stealing away the creative power I usually ration so well for my personal, therapy writing. The writer’s block this year has been as difficult as anything to endure. Writing is my solace, especially when I am at my worst, in my seasonal doldrums, when I need most to turn my emotions into words and sentences, paragraphs, prose, and bad poetry. This year that coping mechanism failed me. Next year, I will be more cognizant about keeping safe the ration for personal writing, because although I make a great many mistakes, my grief has made a good student of learning what I need to survive the difficult and beautiful condition of being human. Already with the packing away of another year of holidays, made as joyful as absolutely possible by my good and cheerful sister Tracy, and with my new project well underway, my attitude is brighter even as I pen this last blog essay of 2021.

You see, I really I am okay. I struggle, yes, but I am capable of finding my way back home. Now that I have written away the bitter shadows, I feel lighter. I am lighter. Even as my head is filled up with the brains of a cynic who ascribes no tangible value, no magic, to the turn of the New Year, I am hopeful I will find purpose and peace in 2022. Perhaps it is simply the pleasant surprise of my survival of another year which has provided this shift in perspective. I forget sometimes that I can do hard things, and when I am reminded that I can I am grateful. Gratitude frames my mind to see the long winter in front of me as time to work on another book, to rest, and to wonder. And as each passing day gets a little longer, I will be stretching my spirit toward the spring.

Here is to a productive and peaceful winter to us all.

The Dorothy-Parker inspired ditty below is the only thing of any value I managed to write in the past two months. More bad poetry, I know, and I’m sorry! But Mack would appreciate it, and that makes it okay by me.

Writer’s Block
Some days I can write on for hours,
So clever I am with my pen;
But then comes a clog in
My thick, stupid noggin,
And I think I shall never write again.

In our front yard in Springfield, May 2012, this is one of my favorite photos of me and Mack
(although it is a rare serious pose and one of her in a dress!).
To me she was was always larger than life, and in so many ways she still is.

Mack, Me, and Dorothy Parker

For nearly twenty years, I have had this funny set of four coasters. White ceramic. Annoyingly useless for absorbing condensation formed and dripping from tumblers full of icy beverages. No matter, though, because I did not keep them for their utility. Rather, I kept them for the quatrain printed neatly upon them, one line of the punchy verse per coaster. Since I received the set, a gift from a close friend, I have kept them stacked, in order of the verse, easily accessible on prominent tables in my home for the enjoyment of any visitor who dares to use or to inspect them. Over the years, I have often been delightfully rewarded for my brazen display of these coasters; because so hilarious have been the scenes of unwitting visitors, especially innocent teenagers, who have picked up the stack and shuffled through each coaster, reading each one out loud:

I’d like to have a martini.
Two at the very most.
At three I’m under the table.
At four I’m under the host.—Dorothy Parker

While I always enjoyed the shocked, wide-eyed and gaping-mouthed horror of teenagers who walked right into this little trap, Mack enjoyed it even more. For surely we were the me and mackonly house with children that kept such scandalous literature out for all to see. As soon as a friend would pick up the stack of coasters or take hold of the top coaster to employ it, Mack would issue a deep “heh-heh-heh-heh” and wait for that friend to start reading. If necessary, she would encourage the visitor to inspect the verse, and then she stood back and let the magic happen. I was witness to several such encounters in which innocent teens read the verse loudly and dramatically, belting out each line; the rhyme taking hold of their good sense and rendering them powerless to stop the punch line from passing across their lips. These scenes sent Mack into fits of giggles, and she and I shared knowing glances. That stack of coasters was a shared prop of plotted good humor in our old Springfield house. An inside joke with Mack, me, and Dorothy Parker.

Today for me that stack of under-performing but delightful coasters is a humorous artifact of my life with Mack; and that erroneously attributed ditty printed upon them has become something of a little legend in my mind. A legend of Mack. A legend of Dorothy Parker. A legend of a couple of smart and witty dames who made me laugh…who make me laugh. You see, when Mack and I enjoyed our coasters and used them as a prop for evil, we believed that Dorothy Parker wrote those delicious lines. We had no reason to doubt. It certainly sounded like something she would have written or said. Besides, Dorothy Parker’s name lent credibility and elevated the brow of the joke, which made it all the funnier to us both. We were not pushing dirty limericks. We were dealing in fine literature. And that made us laugh all the louder.

A couple of months ago, I picked up a musty old first edition of the Viking Portable Library’s Dorothy Parker, published in 1944. I paid $1.95, and I’ve certainly gotten my money’s worth, as I have been toting it everywhere I go. It’s about four inches wide and six inches tall, the faded brown, hardcover binding is pliable from wear, and the pages when flipped fill the air with the pungent yet pleasing fragrance of a used book store. I’ve been carrying around this little book, reading the poems and prose within it, laughing and crying, imagining Parker holding court at the Algonquin Hotel in New York, and imagining Mack holding court in our Springfield living room with our coasters. In the reading and through my emotions in that reading, I have been feeling connected not only to Dorothy Parker, but also to Mack. Because I don’t think Mack read much if any of Dorothy Parker, and I am so very sorry about that.  I think Mack would have loved Dorothy Parker. Mack would have understood the quiet reflection and hint of sadness under the brash style and sharp wit. Mack would have marveled at the melody and tone of a charming and imperfect woman who lived life. She would have appreciated Parker’s ability to cut to the heart of a matter and not waste a person’s time with frivolous details.

I think Mack was a little bit like Dorothy Parker, who was intelligent and wise, an astute observer of humanity and the wonder and absurdity of life. I have been hearing Mack’s voice within Parker’s words on the page. Spending time with my worn little volume of Parker’s work (and learning that Parker did not write that quatrain on our coasters!), has made me see that I have actually been reading as much for Mack as I have been for me. Sometimes the life experiences we have—in this case my discovery of Dorothy Parker’s poems—can, indeed, be shared with the dear people whom we are missing. So if you’ve wondered where we’ve been, Mack and I have been away together on a little journey with Dorothy Parker, drinking martinis and talking about life.

And here is a little Dorothy Parker for you:

My favorite for Mack…
Inventory
Four be the things I am wiser to know:
Idleness, sorrow, a friend, and a foe.
Four be the things I’d been better without:
Love, curiosity, freckles, and doubt.
Three be the things I shall never attain:
Envy, content, and sufficient champagne.
Three be the things I shall have till I die:
Laughter and hope and a sock in the eye.

My favorite for Dorothy…
Unfortunate Coincidence
By the time you swear you’re his,
Shivering and sighing,
And he vows his passion is
Infinite, undying—
Lady, make a note of this:
One of you is lying.

My favorite for me…
On Being a Woman
Why is it, when I am in Rome,
I’d give an eye to be at home,
But when on native earth, I be,
My soul is sick for Italy?
And why with you, my love, my lord,
Am I spectacularly bored,
Yet do you up and leave me—then
I scream to have you back again?

And, while Dorothy did not pen the verse on my coasters, she did, in fact, pen this:

News Item
Men seldom make passes
At girls who wear glasses.

coasters

Our delightful coasters!