Egg Noodles and the Blues

I don’t cook much from scratch anymore—since Mack died, there are a lot of things I don’t do anymore—but every year for Thanksgiving at my sister’s house I make egg noodles. They aren’t hard to make, although making them is a little annoying and a lot time consuming. And messy. The flour gets all over me and the kitchen, and dried, eggy dough gets stuck to the counter top. I can’t stop rolling the dough until all dozen eggs and three pounds of flour are rolled out because my hands are encased in wet dough and getting it all off my fingers takes almost as much time as the rolling.

But no matter all of that. I make the egg noodles. For more than thirty years, I’ve been making the egg noodles. For all of the years Mack was here to eat those noodles, I didn’t mind making them. But Thanksgiving, a food holiday, was Mack’s favorite, and making noodles and eating noodles and thoughts of passing another Thanksgiving without Mack suck some of the magic out of those damned noodles. I half-heartedly try every year to get out of the noodle-making business and suggest that someone else pick up the tradition. But my egg noodles are special, pillowy and delicious, a family legend, and no one, particularly my niece Zoe, will let me off the hook. I need to make the egg noodles, and that’s okay. Some traditions should continue no matter how annoying or grief provoking, and I suspect I’ll make the family egg noodles until I’m dead.

So here I am, standing in my kitchen working up the courage to make noodles. It is quiet like death in the house and I shudder at being alone with my pre-holiday grieving and my noodles. I used to love to cook while listening to music, but one of the other things that I don’t really do any more since Mack died is listen to music. Music summons the ghosts, which stir up my grief into a hopeless melody of sorrow and self-pity. But a few months ago I started listening to 1920s jazz for brief intervals; and a couple of weeks ago I started listening to the blues. Shemekia Copeland specifically. Something about the old music calms me, and the spirit and humor of Copeland’s songs and the bad-ass-I’m-here-and-you’re-gonna-like-it sound of her voice give me strength.

Okay, then, I think, let’s invite Shemekia to this noodle-making party and see what happens.

I ask Alexa to shuffle Shemekia Copleland, and I get started on the noodles. The next thing I know I’m singing along and my hips are swaying and I’m rolling the dough in time to the music. I am shaking off the cobwebs of ghosts and grief with Mack laughing and cheering me on, helping me face another holiday without her. I am happily making noodles for the people I love most. Savannah will be here for the holiday, and she enjoys my noodles almost as much as Mack did. We will eat them together and remember our Mack, the food-loving, silly, joyful girl whose motto was to eat until it hurts, baby, and then eat some more.

I roll out the last of the dough and think to myself, wow. Instead of dreading Thanksgiving and letting my grief weigh me down low, I’m just here in my kitchen making noodles and singing the blues.