Reading in the Year of the Plague

During this year of our plague, two thousand and twenty, I spent roughly a third of my waking hours working as a scholarly editor (thank goddess I am still employed), a third sprucing up the 1919 bungalow with overgrown yard I purchased in October 2019, and a third escaping within the pages of books. Losing myself in other people’s stories and reading about faraway worlds and experiences from the safety and comfort of my heavenly front porch was my best remedy for coping with the isolation and emptiness of the year. Reading books has been a balm on my anxious bones; and audio books, too, helped fill the vast silences of my days and nights. Books have been great friends, keeping me company and joining in the chorus of my voice echoing off lonely walls.

I read fifty-five books this terrible year, nearly double the leisurely reading I might have done if the pandemic had not isolated me from friends and family and travel. My reading journey this year began on New Years’ Day with The Giver of Stars and concluded December 28 with Girl, Woman, Other. In my reading this year, I escaped to rural Kentucky, London, Australia, the Holy Land, and the Pacific Crest Trail in the American Northwest. I read novels, memoirs, collections of poetry, history, and one work of philosophy. I enjoyed books about nature, coming of age stories, and nineteen works of historical fiction, my favorite pleasure-reading genre. I solved mysteries, walked the streets of seventeenth-century Amsterdam, shivered in Alaska winter, traveled back to 1950s India, learned about the brain and personality of the American crow, and raged at the injustice that is bound up tight in the DNA of American democracy.

I smiled. I frowned. I laughed. I wept. I pondered. I learned. Books are so magical in their power to influence our emotions and challenge our brains.

As a historian, I read history books and articles and bend over historic documents during my work days, and pleasure reading provides an important counterweight to all of the scholarly reading I do. However, pleasure reading this year took on a more important purpose. I felt a pressing need to escape the political and biological chaos of the world around me and to fill the silences of socially distanced family and friends. In that context, I read far more light-hearted books than I have allowed myself the luxury of reading in decades, and I embraced the soothing joy of audio books to cope with a new and unwelcome brand of quiet. Books helped me cope with that quiet, and although I am happy to bid farewell to 2020 and will not remember it fondly, it has been an epic year of reading.

And for all the books I read—the great, the good, and the meh—I am grateful. They remind me that stories are at the heart of every human experience. That stories nurture and guide us, teach us, remind us of the past, get us through our days, and inspire us to face the future. Stories reveal the breathtaking diversity of life experiences, but they also remind us of our shared humanity. Stories help us understand the world and ourselves.

In no other time in my life do I think that books have been so important, so loved, so appreciated, so damned necessary. This is my humble ode to my 2020 reading list, filled up with books that nurtured and inspired me, kept me sane, and carried me through the long, lonely year. It is also a kind of portrait of my life this past year, a record of my travels, a log of the characters I met along the way, and the stories I heard from the comfort and safety of home.

Alphabetical Annotated Reading List for 2020 (Each includes my love rating)

Love Ratings

Finished the book. I give books about 25 pages, and if I finish a book it gets at least one star.

♥♥ Pretty good story, writing meh.

♥♥♥ Solid writing. Good story. Enjoyable, useful and/or important.

♥♥ Excellent writing and story. Taught me something and/or took me away and I was happy to go.

♥♥♥♥♥ Wonderful. Breathtaking. A book for my lifetime master list of great books.

Bauermeister, Erica, The Scent Keeper (2019), fiction. This story about a family who smells memories is mystical (and odd) and mildly interesting.

Burton, Jesse, The Miniaturist (2014), historical fiction. I likely would not have picked up this book in a typical reading year, but listening to it on audio was quite agreeable. I think my daughter Mack was right when she said: “Everything sounds good in a British accent.”

Cameron, Claire, The Last Neanderthal (2017), historical fiction. Meh. I really don’t remember why I even finished it. Good idea, poor execution, and I don’t recommend it.

Chevalier, Tracy, A Single Thread (2019), historical fiction. A sweet story about a single woman in the decade after WWI, when a generation of women in England was adjusting to a heartbreaking dearth of young men.

Girl with Pearl Earring (1999), historical fiction. After reading A Single Thread , I remembered how much I loved this older book I had read many years ago. This time around, I listened to the audio book. Chevalier is a great writer of the genre. If you’re new to her, start with this one or At the Edge of the Orchard (2016), which is my favorite.

Coehlo, Paulo, The Archer (2017), fiction. As a rule, I don’t read much nonfiction by men, frankly because so few of them write well-formed, realistic female characters. So why would I bother with the Brazilian Coehlo, you ask? I loved The Alchemist, and so decided to try this novella, a fable like that older book. Bad idea. Definitely my worst reading decision of the year, and I only finished it out of respect for the renown of the author and because it was mercifully short.

Diamonte, Anita, The Boston Girl (2015), historical fiction. This book is a good story about an immigrant girl in the tenements of Boston. I listened to it on audio, read by the actress Linda Lavin, who elevated the story. She was a brilliant narrator. One of these stars is all hers. ♥♥♥

Diaz, Joanne, My Favorite Tyrants (2014), poetry. Witty and deep, this Illinois poet is incredible. So good. She teaches at Illinois Wesleyan, and I saw her do a reading from this book in January before the pandemic cancelled 2020. Not all of the poems are great, but a few of them are sensational. ♥♥♥

Doyle, Glennon, Untamed (2020), nonfiction. Doyle is a social media darling who offers some valuable nuggets in this book. I appreciate Doyle’s voice, and I follow her on Instagram. She is smart and observant as fuck. But, I must say, the book was a tad underwhelming, and a bit overhyped. ♥♥

Erdich, Louise, Future Home of the Living God (2017), fiction. Two stars because Erdich is a great writer, and there is some great writing on the pages of this book. However, this futuristic story did not capture my imagination. ♥♥

Ervick, Kelcey Parker, The Bitter Life of Božena Nȇmcoá: A Biographical Collage (2016), nonfiction. Part history, part memoir; has words and images. This book is so weird, impossible to categorize, and so wonderful because it is brilliantly off kilter. ♥♥♥♥

Lilian’s Balcony: A Novella of Fallingwater (2013), fiction. Ervick is a creative storyteller. I met her at a writer’s fair and workshop at Eastern Illinois University early in 2020, before we knew there was a virus lurking. She views writing as more than words in ink on a white page, preferring to tell stories with images and space as well as words. Function and form commune with the voices of her characters, and she likes to blur the lines of genre. I love her work, and she’s a fun follow on Instagram, because she draws memoir almost daily (that’s a bad description of her work, but check her out, she’s great). ♥♥♥

Evaristo, Bernadine, Girl, Woman, Other (2019), fiction. Winner of the Man Booker Prize, Girl, Woman, Other is a triumph of writing, of the powerful voice of female characters who know who they are, and of storytelling across race and gender. The diversity of voices in this creative work scream from the mountaintops that their stories matter. That all of our stories matter.  ♥♥♥♥♥

Gregory, Philippa, Three Sisters, Three Queens (2017), historical fiction. Written by a popular British writer of historical fiction, this book is about Margaret Tudor, Mary Tudor, and Catherine of Aragon. Oh, the intrigues of British royalty during the Middle Ages. And, yikes, the human drama of medieval life in general. ♥♥♥

Hamilton, Gabrielle, Blood, Bones, and Butter: The Inadvertent Education of a Reluctant Chef (2012), memoir. My surprise book of the year, written by the chef of the award-winning New York restaurant Prune. Gorgeous writing about life and food. Read it. It is fabulous and there are mouth-watering descriptions of food. ♥♥♥♥

Hannah, Kristin, The Great Alone (2017), historical fiction. Pretty good coming of age story, but the star of the book is Alaska. Lovely. Vivid. And fucking freezing. ♥♥♥

Harjo, Joy, An American Sunrise (2019), poetry. Want to cry? Read this collection of poems by U.S. Poet Laureate Harjo about the Trail of Tears, history, grief, cultural annihilation, and memory. Wow. Breathtaking. Horrifying. Heartbreaking.  

Harper, Michelle, The Beauty in Breaking (2020), memoir. A female, African-American ER doctor, Harper puts her deft fingers on the heart of racism in America and caresses out of her stories the truth of our shared humanity. After I read the book—in two days, it is that good—I watched Harper on Zoom in a book talk and Q&A, and she is an impressive woman. She is a bright-sider, despite all the ugly she has seen, and her perspective was a welcome viewpoint during this year of our biological and political plague. ♥♥♥♥♥

Haupt, Lyanda Lynn, Crow Planet: Essential Wisdom from the Urban Wilderness (2009), nature. I only discovered Haupt last year, but I’m hooked. She is a spectacular writer and gives the reader science and nature with pure joy. She is birder with a great sense of humor, and her knowledge and insights are wonderful. Love her work. ♥♥♥

Urban Bestiary: Encountering the Everyday Wild (2013), nature. I am obsessed with Haupt’s view of nature and her funny bone on the intersection of humans with nature. Her eco-sensible philosophy is inspirational, and she has made me a more observant citizen of the spaces I share with birds and squirrels and other wild animals. She has a new book coming next year called Rooted, and I can’t wait. ♥♥♥♥

Hoffman, Alice, The Red Garden (2010), historical fiction. Hoffman is a very popular author in the genre of historical fiction. However, her books for me always just miss the mark. This one was creative and enjoyable, but not great. ♥♥

Holmes, Linda, Evvie Drake Starts Over (2019), fiction. I chose more light books this year than is typical for my tastes, because pandemics are pretty damned depressing. But this book was a little too romancy for me. If I’ve learned anything from this year of magical reading, it is that prefer books that are more substantive than this one. ♥♥

Joshi, Aika, The Henna Artist (2020), historical fiction. Joshi’s story of a single woman making a life for herself in India in the 1950s reveals much about caste and gender and human dignity. Great story with very good writing. ♥♥♥

Kendi, Ibram X., How to Be an Anti Racist (2019), nonfiction. It is not enough to just not be a racist (is there I better way to state this—I tried but failed!). In America, white people must become actively anti racist. This book by an important historian of race should be required reading for every high school student in America. ♥♥♥♥

Kendzior, Sarah, Hiding in Plain Sight: The Invention of Donald Trump and the Erosion of America (2020), nonfiction. A journalist and anthropologist who studies autocratic and dictatorial regimes, Kendzior offers a lucid portrait of the horrifying story of Trump’s rise to the presidency and depicts American democracy dangling precariously from a cliff. She’s lives in St. Louis, where I lived from 2012-2019, and I knew about her work and followed her on Twitter before she became well known. She’s super smart (PhD, Washington University), and she minces no words. She’s not an optimist, though, so if you’re looking for a bright spot in the dark of night, don’t look here. ♥♥♥

Kidd, Sue Monk, Book of Longings (2020), historical fiction. This was the bravest book I’ve read in a decade, the biblical story of Jesus from the perspective of his wife. Fabulous writing and sensational female characters set in the stark historical context of the Holy Land in the time of Jesus. Brilliant. Stunning. One of my favorite books of the twenty-first century. Shout out to my dear friend Sandra who recommended the book to me by saying: “Stace, I know you don’t do Jesus, but you have to read this book about his wife!” ♥♥♥♥♥

The Invention of Wings (2014), historical fiction. I had missed this novel about the life of Sarah Grimké, a historical hero of mine, because it was published in the year my daughter died. In a normal year, I would have read this book by an author I loved and a historical topic that intrigued me. But my grief robbed me of reading for almost four years. I stopped reading after losing Mack because I couldn’t let my mind go long enough to get through a novel. Thank goodness my joy of reading and my ability to read returned to me in 2018, and I am grateful it was here for me this year when I needed it so much. In this book, Kidd takes too many literary licenses with Sarah’s story, but her writing is always good and the story moves along at a good clip. ♥♥♥

Kingsolver, Barbara, Unsheltered (2018), fiction. I’ve been a fan of Kingsolver forever, and this book is the epitome of her. Kingsolver knows humans better than almost any writer I’ve ever had the pleasure to enjoy. Simple story paired with good writing is Kingsolver’s method for uncovering the beauty of the human heart, and this book is her, per usual. ♥♥♥

Letts, Elizabeth, Finding Dorothy (2019), historical fiction. This story of L. Frank Baum’s wife, Maud Gage Baum, who consulted with MGM on the production of The Wizard of Oz offers some interesting stories of Maud Baum’s early life and her famous suffrage mother Matilda Gage, and it offers some provocative observations about Judy Garland. Good story, but a little draggy. ♥♥

McLain, Paula, Circling the Sun (2015), historical fiction. Mediocre novel set in the overlapping contexts of the Out of Africa story. Privileged white people in Africa. Kind of boring. And definitely passé. ♥♥

Miller, Madeline, Song of Achilles (2011), historical fiction. I read this because I loved her novel Circe, but this book is not as good. However, for full disclosure, I suspect I didn’t like this one as much because it is about a man and Circe is about a woman. I prefer a women’s perspective on things, even regards ancient mythology, thank you very much. ♥♥

Moriarty, Liane, The Husband’s Secret (2013), fiction. Moriarty is my latest guilty pleasure, because I relate to the quirky, middle-aged women who inhabit her stories. I started reading Moriarty’s work last year with Big Little Lies and Truly Madly Guilty, and I appreciate the dark corners her humor. ♥♥♥

The Last Anniversary (2005), fiction. Sisters and secrets.  ♥♥♥

Nine Perfect Strangers (2018), fiction. Wacky characters in an absurd settling. Mayhem ensues. Laugh out loud funny. ♥♥♥♥

Three Wishes (2003), fiction. Funny, heartwarming sister drama. ♥♥

What Alice Forgot (2009), fiction. A story of amnesia with Moriarty’s usual compelling characters. I made my way through five of Moriarty’s light-dancing books this year, and what fun they were. On audio, they are made even more delightful by the talented Australian voices of the two fantastic readers who narrate them. Moriarty doesn’t set the world on fire, but she tells a good story and makes a reader giggle and gape. ♥♥♥

Moyes, JoJo, The Giver of Stars (2019), historical fiction. This book offers a fictionalized story about the Packhorse Librarians, women during the Great Depression who delivered library books to people in the hills of Kentucky. It’s pretty good, but the happy ending is contrived and disappointing. ♥♥

Oliver, Mary, Upstream: Selected Essays (2016), essays. Stick to her poetry, which is gorgeous. These essays, published late in her life, not so much.

Orlean, Susan, The Library Book (2018), nonfiction. Interesting story of the devastating L.A. Public Library fire written by an excellent journalist who is also a great writer. It’s a bit plodding in its methodical retelling of the events of the fire. I liked that level of detail, but it’s probably not for everyone. ♥♥♥

Owens, Delia, Where the Crawdads Sing (2018), fiction. A truly lovely novel with a haunting human story told among the vivid images of a disappearing landscape. Gorgeous prose and an unforgettable female protagonist. ♥♥♥♥

Penny, Louise, A Better Man (2019), mystery. This book is part of a great mystery series I love, but it is a weak book in the series. However, I recommend the entire series, which is chockablock with loveable, eccentric characters, gorgeous (and frigid) Canadian landscapes, and great literary and historical references. The series is much more than the standard detective story. It weaves together the lives of Inspector Gamache and his wife with the residents of a strange and isolated little town where the stories are set. Start with the first book Still Life and keep on reading…there are sixteen books in all (and the seventeenth is scheduled for 2021)! ♥♥

Richardson, Heather Cox, How the South Won the Civil War: Oligarchy, Democracy, and the Continuing Fight for the Soul of America (2020), history. If you want to understand why America is in such a political mess these days, read this book. Richardson, a political historian and expert on the history of the Republican Party from Lincoln to the modern day, studied American history under the great Lincoln scholar David Herbert Donald at Harvard, and I have admired her work for years. She is one of the most trustworthy and talented historians working today. ♥♥♥♥

Rutherford, Edward, New York: The Novel (2010), historical fiction. Rutherford’s book sweeps broadly across time, setting fictional characters, connected through the generations, in the (fairly accurate) history of one of the world’s greatest cities. The sweep, I think, is why I enjoyed this fictionalized story of New York, which began with the Dutch in the colonial period and ended with stockbrokers in the 1980s. ♥♥

Sedaris, David, Calypso (2018), humor. Is there any writer who is funnier than Sedaris? That’s a rhetorical question. I love, love, love this guy. Calipso is not his strongest collection, but it has some dandies; and I happily recommend any of his books or audio book (he reads them himself). I met him once at a book signing, and my signed copy of Let’s Explore Diabetes with Owls is a treasured possession.  ♥♥♥

Stedman, M. L., The Light between Oceans (2012), historical fiction. I was haunted by the many sides of loneliness depicted in this story, set in Australia after WWI. Did I relate a little too directly in my isolation to the two lonely characters in the story who inhabited a lighthouse on a remote island? Maybe. Whatever, I enjoyed the book.  ♥♥♥

Stockett, Kathryn, The Help (2009), historical fiction. I had never seen the movie or read the book, and I selected it this year as an audio book. It is a good, albeit problematic, story, the dialogue is fantastic, and the black women in the novel are compelling characters. The readers of the audio book elevated the story, and their brilliant reading added that fourth star. ♥♥♥♥

Strayed, Cheryl, Wild: From Lost to Found on the Pacific Crest Trail (2014), memoir. I am very late to the party on this one, but it is a fascinating, well-told story. I liked it. As well, in reading this book, I learned not to ever, in a million years, no matter what personal difficulties befall me, to go looking for myself, all by myself, on a hiking trail more than four or five miles in length. ♥♥♥

Strout, Elizabeth, Olive Kitteridge (2008), fiction. Many of my friends love Elizabeth Strout, but I am less enamored of her writing. Olive is, however, an intriguing character, and I hope I do not become the cranky old lady she turned out to be. ♥♥♥

Olive Again (2019), fiction. I did not really think I needed more adventures of Olive, but this book was not without its worthwhile scenes of Olive’s strange interactions with the world. ♥♥♥

Ware, Ruth, The Death of Mrs. Westaway (2018), mystery. Not my usual fare, but this story was fun and this British writer definitely has found a niche. ♥♥♥

In a Dark, Dark Wood (2015), thriller. Not my cup of tea, and I think Ruth Ware might be crazy. The pandemic has been scary enough; I should have skipped this one. ♥♥

West, Lindy, The Witches Are Coming (2019), essays. West’s cultural critiques are hysterical, and she is dead-on balls accurate in her observations about Trump, social media, and an array of other topics, as well. ♥♥♥

Wetmore, Elizabeth, Valentine (2020), historical fiction. Yowza! This is a stunning first novel, set in the bleak oil landscape of Odessa, Texas, in the 1970s. And it is an important novel, too, with its beautifully crafted story of race on the border. Gut-wrenching. Haunting. It will make you scream and cry and mourn the pain that humans are capable of inflicting upon the “other.” ♥♥♥♥

Wilson, Catherine, How to Be an Epicurean: The Ancient Art of Living Well (2019), philosophy. I picked this book up in late December 2019 on a “new book” display cart in the library at Eastern Illinois University, where I hold a “local scholar” library card which grants me 16-week borrowing privileges. The book’s cover intrigued me, but it sat on a shelf in my office for weeks and weeks. I never picked it back up, and then the pandemic came and the library closed, and all of the books I had checked out were renewed through October. And so, with time and automatic renewal, I finally cracked it open; and although I probably would not have ever gotten around to reading it if not for the pandemic, I’m glad I picked up and even more glad I read it. It’s basically the philosophy of me. I understand myself so much better now. I am an Epicurean. Who knew?!! ♥♥♥

Zabin, Serena, The Boston Massacre: A Family History (2020), history. A fresh approach to the American Revolution that depicts the blurry lines between patriot and loyalist. A friend of mine who is a professor of political science at St. Olaf College recommended the book, because she knows Zabin, who is a professor of history at neighboring Carleton College in her Minnesota town. I like reading books written by people I know or with whom I have some personal connection.

Calm, Cool, and Creative

Pandemic. Social distancing. Restaurants and bars shuttered. Cultural institutions and libraries closed. Economic crisis. Political dysfunction. Sickness and death. Uncertainty. Shelter in place. Isolation. Time. Oh my god, it is bonkers, and there are hours and hours of extra time to allow my anxiety to overwhelm me and surrender my spirit to despair and loneliness. And Netflix. And biting my cuticles bloody and freaking the fuck out.

Breathe in through the nose. Breathe out through the mouth.

I refuse to give myself over to loneliness in this time of quarantine, because I am finally starting to crack the code for living alone in peace. Besides, I am not alone. I have my dogs, the internet, and a cell phone with unlimited usage. I’ve already had countless text conversations with my mom, sister, and several friends. I’ve enjoyed lengthy telephone calls with my daughter Savannah in Chicago and my friend Sandra in Springfield. I had a scheduled video chat with my friend Bridgett in Olney, who doubles as my writing coach. All of these “social distance” interactions with beloved people in my life brought laughter, wisdom, and brilliant inspiration.

Deep Sigh regarding Netflix, though, because it is tempting to settle down in front of it and binge watch for days and days. I will not waste time watching Netflix. I refuse to give myself over to Netflix. Ok, so here’s my plan: I will allow Netflix to provide limited, curated therapy. Because if I’m honest, all the news about infection rates and death tolls, economic losses and news about people who are losing their livelihoods, and the daily buffoonage from the White House will make me crazy. The kind of crazy that yoga or meditation or contemplative walking cannot soothe, let alone undo. That’s the kind of crazy that requires me to get out of my own head. That’s the kind of crazy I usually combat by hanging out with friends in a cozy, noisy pub or cheering for a team during a televised sporting event. Netflix will have to step up and be the pub or the basketball game. Periodic episodes of Schitt$ Creek will lighten my mood on rainy days when I cannot work in my yard or go for a long walk. Father Brown’s singular concern for the souls of murderers will make me believe, at least for an hour, that all humans can be cast in their own tales of redemption. And when I think the entire world is going to hell in a hand-basket, I’ll watch a few episodes of the Great British Baking Show and remind myself that healthy competition is, indeed, possible, and you do not have to kill everyone around you or step on people to win at cake, politics, or life.

I am lucky. I am grateful. I have worked from home as a scholarly editor for eight years, so I don’t have to figure it out or patch it together like so many people now are scrambling to do. My job relies on NEH funding, which makes me nervous. But for now, it is secure, my paychecks are coming, and I do not have to worry about food or shelter or paying my bills. My daily life will not change all that much, and I will continue to do work that challenges my mind and makes my heart sing. I am going to continue my yoga and meditation routine, and I intend to be restful and calm during this isolation. Instead of seeing this predicament as forced isolation, let’s say we are hibernating. We are bears, cute and cuddly and warm in our homes, resting up for all the living we will do when humanity finally kicks this pandemic’s ass.

With a little help from my human, furry, and television friends, I will be calm and keep my cool. In the space of that quiet solitude, that beautiful serenity in my lovely new home, I vow not only to stay calm and keep my cool but to also make the most of my time. To cook. To draw and to color. To freestyle my yoga practice. To read half a dozen books and make a worthy effort to catch up on the New Yorker. But most importantly to write. Hours and hours and hours of extra writing. I will keep writing in my daily journal as well as blog and work on the revisions of my memoir. I am going to spend so much glorious time at my computer writing that my aging knuckles will get sticky.

Last week in the Washington Post I read an interesting story about Isaac Newton. During the Bubonic Plague of the 1660s, Newton’s college closed, forcing him home to his family’s estate. While at home, he wrote a paper about some math he was working on (math that became calculus); and he sat under that famous apple tree. I will do nothing so important as inventing calculus or defining gravity in my isolation during the COVID-19 pandemic of 2020. None of the trees in my yard produce anything big enough to knock brilliance into my head. However, like Newton I’m going to be creatively productive in my isolation. I’m going to engage my brain. I’m going to see all this extra me-time as a gift and do my amateur best to make the most of it.

I’ve already made scones and homemade granola and expended a lot of nervous energy doing “art.” Living well, especially under duress, is about the process and the journey. I’m not a chef or an artist, but I enjoy cooking; and drawing, I very recently learned, is a scary challenge that makes me smile like a fearless six-year-old on the monkeybars.

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Mack-Day Mood

Today would have been, should be, Mack’s twenty-sixth birthday. Maybe twenty-six would have been the age when she finally admitted she was a “grown-ass woman.” Oh, probably not. Who am I kidding? It was a status she was never eager to attain. When she was ten she declared to me her intention to remain ten forever, and I could see in her dirty, freckled face that she was speaking her truth. I never doubted the veracity of her assertion, either, because even when she became a serious student in college she never let go of the child she was at ten. Both of her parents are old souls, but a youthful heart was in Mack’s DNA. She inherited my father’s Peter-Pan gene, the gene that sits between the goofball gene and the I’m-gonna-eat-junk-food-and-sit-on-the-couch-in-front-of-the-TV-all-day gene. She inherited both of those other genes from Frisky Pratt, too.

As Mack’s inner circle of close friends are each making their own way in the world now as grown-ass women, I have been passing many melancholy minutes lately wondering where Mack might be living and what career she might be pursuing if she was still here. So deeply pulled into these wonderings, or daydreams I guess you might call them, I sometimes wake up and fifteen minutes are lost and a vivid scenario of Mack’s could’ve-been life is flashing like an illustrated storybook in my brain. Mack dreamed of a writing career in television, and that is my favorite daydream for her. She’s a writer for a sit-com in Hollywood. She’s working with Joss Whedon to bring back Buffy the Vampire Slayer. She’s pitching Mack’s Makin’ Bacon, her own comedy cooking show for the Food Network. Or she’s living in my guest bedroom writing a screenplay. Goodness but do I yearn for that latter daydream. But daydreams are not terribly productive, I’m afraid, and Mack’s old-soul Momma Bear usually awakens from those daydreams emotionally bruised, sadness giving way to anger at all that Mack missed out on and all the things that have happened that I have been denied sharing with her. Like her twenty-sixth birthday.

Milestones like birthdays are trigger points for grief. The day will be rough. There isn’t enough candy in the world to sugar coat that truth. The paradox of my grief is that every day I must live in a world without my daughter, I get another day of practice living in a world without my daughter. The pain is no less keen, but the callouses of long-time sorrow limit the blood loss when the sharpness of a milestone, or a bad day, break open the heart. Again. And again.

I will no doubt pass a few melancholy minutes. However, I won’t be wondering what Mack would be doing on her twenty-sixth birthday, because I’ll know exactly what she would be doing if she was here. She would be embracing social distancing, happy for an excuse to be alone on her couch in front of the TV, eating junk food. She’d settle in for a birthday-binge-watching bonanza, surrounded by Funyons, Flamin’ Hot Cheetos, sour candies, two giant cans of Arizona Iced Tea, and the best looking Italian sub, wrapped in plastic, that was available in the deli case of the convenience store where she shopped for her birthday feast. She would get comfy with her two dogs, one an Irish wolfhound and the other a pug, and both named for characters on television (maybe Leslie and Ann, but who knows with that kid?). She would spend the day watching shows she’d already seen a hundred times, consume her food in cozy sweatpants and reclined repose, text her besties and her momma and her sissy, giggle to herself, and tweet about the upsides of quarantines and restaurant closings and how she wished her school had been cancelled for a month when she was a kiddo.

Mack would not be mad that COVID-19 ruined her birthday, cancelling dinner plans or drinks with friends. She wouldn’t see it that way at all. She would look at the down time as a chance to relax, be alone with her own thoughts, and do absolutely fucking nothing. Every day I miss Mack, and today I’ll miss her more. Every day I talk to her, and today will be no different. She’s heard a lot of swearing lately, because I frequently dial her in for my dialogue with the morning and evening news. She’ll laugh as I let the f-bombs fly, and she’ll shake her head at me because she thinks I let the orange moron and his clown-car of a government get too much under my skin. “Sure, Momma Bear, he’s a genuine ass,” she’ll say, “but don’t let him push all of your buttons.”

As soon as my eyes pop open I’ll miss kissing Mack on that big freckle on her left cheek. I’ll shed some tears into my morning coffee. I’ll take Mack with me to vote in the Illinois Democratic Primary, let her pick which old codger I vote for, and I’ll tell her how furious I am that I didn’t get to vote for Elizabeth Warren. I’ll try not to swear at NPR, protect one or two of my buttons, and take Mack’s lead and relax. It’s her birthday, after all, so we all should let her make the plan. I’ll probably need Mack’s spirit to stick around for the entire day, and maybe she’ll bring her grandpa with her. I trust Mack will chill me out when I get upset that COVID-19 is keeping me from the draught Guinness I traditionally enjoy on her birthday. I trust she will keep me grounded in the present, holding my hand as I take the day as it is and give myself up to the cool breeze of life, hitting my cheeks and reminding me to live and to breathe and to refrain from counting the calories and the dairy content of the Mac-n-Cheese my sister is planning for dinner.

Leprechaun 2

Mack Day 2020 will be a rough day. That is no lie, and certainly no joke. But when it’s over, I will put my head down on my pillow next to gratitude. Gratitude for Mack and her presence in my life. Gratitude for the vibes of a Mack-Day mood. For twenty-six years, first in person and now in spirit, my daughter has been teaching me about life. I am not always a quick study in Mack’s be-chill school, but old souls always at least try to be at the head of the class. I am a work in progress, and Mack knows it. I’ve got a sneaking suspicion she hangs around not only to tease me and to teach me, but to make sure I don’t beat myself up for not getting straight “A”s.