Life on the Anxious Seat

Opening apologies: what started out as a short blog post about one day in my life has become a short treatise on anxiety. Heaven help the grossly pensive woman alone during a winter weekend.

Oxford English Dictionary

Anxiety [noun, early 16th century; Latin anxietas] 1 The quality or state of being anxious; uneasiness, concern; a cause of this. 2 Med. A condition of distress accompanied by precordial tightness or discomfort. 3 Earnest or solicitous desire for a thing, to do something. 4 Psychiatry. A morbid state of excessive; or unrealistic uneasiness or dread.

Anxious [adjective,early 17th century; Latin anxius] choke, oppress: see ANGUISH 1 Troubled in mind about some uncertain event; concerned, solicitous; being in disturbing suspense. 2 Distressing, worrying; fraught with trouble. 3 Full of desire and endeavour; eager for a thing, to do something.

Anguish[noun, Middle English; Latin angustia] straits, distress, narrow, tight; squeeze, strangle: see ANGER n., ANGINA. Severe bodily or mental pain, intense suffering.  [verb] to distress. 1 Distress with severe bodily or mental pain. Now chiefly as ANGUISHED [Middle English]. 2 [intransitive verb] Suffer severe bodily or mental pain.

A Dictionary of American English

On the anxious seat, in a state of uneasiness; troubled. 1839 Knickerbacker [N.Y.]. XII. 345. He did look as if he had been on “the anxious seat,” as he used to say, when things puzzled him. 1862 Stowe Pear Orr’s Island II. i. What a life you did lead me in them days! I think you kep’ me on the anxious seats a pretty middlin’ spell. 1865 Atlantic Mo. XV. 454 Almira … had long been upon the anxious seat. 1887 Francis, Saddle & Moccasin 226 Oh, the boys kept him on the “anxious seat” for two or three days, and that cured him [of card-playing]. 1894 Congressional Record Feb. 2382/1, I am glad to see so many gentlemen on the “anxious seat.” 1906 N.Y. Evening Post 4 Jan. 4. All the men present were on the anxious seat, seeking to learn whether their new judge was ‘easy’ or ‘tough.”

I woke up that morning in a state of uneasiness. By 10:00 a.m. I was in distress. By noon I could no longer sit still at my desk. My heart was pounding so hard in my throat that I feared I would choke on it or that it would burst right through the small hollow of my neck. My pectoral muscles were jammed up against my collar bone, and I could hear the whoosh of blood in my ears. The sound tingled and tapped on the skin of my reconstructed left ear where it attaches to my face.

I stood up and began my coping ritual of pacing and ringing my hands and clutching at my chest. My entire body was being squeezed in a menacing invisible vise. Heart attack crossed my mind at the exact moment I made eye contact with the sweet, heart-melting face of my chihuahua. Bug can almost always calm me, but this was not a troubled mind out of control. This feeling was not unrealistic dread, it was a response to my body in serious trouble.

My sister was out of town, so I texted a neighbor. She took my blood pressure. Twice. Very high, she said. I had no idea what the numbers meant but I could feel the surging of blood in every vein. I could hear my heart screaming.

Anxiety Is Real began as a failed watercolor painting and ended as a moderately successful digital drawing. A metaphor for my life as a work in progress!

Prompt care. EKG. Nitroglycerin tablet under my tongue. A Xanax. Blood pressure almost immediately easing. My sister arrives, which calms me further. The doctor comes back in, her face is concerned which is concerning to me while I wonder why I no longer think I am having a heart attack as her hand presses down on my own, telling me she’s called an ambulance. EMT’s hook me up to wires and the ambulance delivers me five minutes later to the hospital ER, where a beautiful male nurse whispers that I am in good hands. I say this is all ridiculous. I am fine. I must be, right? Or is that the Xanax talking? Another EKG. Chest x-ray. Blood draw. Blood pressure cuff on a fifteen-minute cycle, a monitor of my vital signs quietly beeping. My sister tries to sneak a photo of the beautiful male nurse. We laugh. I am calm. My heart is not pressing against the small hollow of my neck. It is resting in my chest where it belongs. I am not going to die today, even as all the wires attached to my body are no picture of good health. The attending physician enters the room.

Your heart looks good. No evidence of a heart attack. I think you’ve experienced a rather severe panic attack. Has something happened? Are you under a lot of stress or worried about something in particular?

It was November 15.

Ten days after the election.

Yes. The fucking election.

I said it out loud. And no one in the room contradicted me.

**********

The first time I remember experiencing a condition of distress accompanied by precordial tightness or discomfort I am six. A first grader on the school bus, I am silent and watchful, a nervous observer of the noisy chatter and laughter all around me. But there is a little boy crying, and I think, why is he crying? Should I be crying? Should all of us be crying? I notice that my heart is beating hard against my throat and my arms feel impossible heavy.

I think in part because I was a worried child, I became a determined and cerebral child, a self-disciplined and serious child, a skeptic always asking questions, collecting information, believing or hoping or begging that knowing would give me power to quiet my worries. I was a mother hen to my friends, always counting them and watching for loose gravel when we rode our bikes in the subdivision. My dad called me a nervous nelly and a worrywart. My mom often told me to calm down before I worried myself to death. My grandmother once said that if I didn’t stop it and breathe, I’d give myself a damned heart attack.

I became an adult believing I was responsible for my dread, that it was incumbent upon me to swallow it. There is no blame in this statement, because although anxiety was a recognized ailment in clinical psychiatric terms in the 1970s and 1980s when I grew up, such mental and emotional struggles were not everyday topics for discussion. As a kid, I had no way to define or understand the anxiety I frequently felt and, in fact, my privileged, middle-class childhood with luxuries like my own room, competitive gymnastics, and summer vacations to Disneyworld, made me believe I had no good reason to worry.

Lincoln biographers have written that Lincoln’s greatness was fueled by his melancholy. I am on the fence with regard to this historical interpretation while at the same time harboring a personal belief that my anxieties, at least a little, fueled some of the qualities that made me a relatively successful and accomplished human being. As I lived my first thirty years as an adult on the anxious seat, and accepting that perch, I developed healthy (and less healthy) copy strategies. My anxiety manifested itself in detailed organizational tactics, long-term planning, thoughtful assessments of life choices, close surveillance of my daughters, the creation of sophisticated spreadsheets and complex to-do lists, and self-disciplined goal setting. My husband saw me as a control freak, and he wasn’t wrong. I was trying desperately to control what I believed I could control and sometimes to freak level and with freaking-out ferocity. Control freak was another negative moniker, like nervous nelly, that I accepted with my desperate efforts to ease the dread I felt in my body about all of the bad things that could happen to me and my loved ones.

Control never fully soothed my unease, however, and, in fact, it sometimes exacerbated it. I still worried about death, the safety of my kids when they were away from me, family members and friends driving on freeways with semis. I fretted about tornadoes and wild animals outside in the snow and the kids that didn’t make the basketball team and melting polar ice.

Even the healthy strategies I developed only masked the anxiety. I didn’t know it then, but I was trying to hide the pathology of my distress instead of facing it head on and eyes wide open. All of the self-control I mastered within my life and all the pushing aside of all my distress and worry with excessive doing could not protect me from my greatest dread. And when my darling Mackenzie died and life as I knew it unraveled, forty-eight years of living had taught me nothing about how to survive the anxiety her death and my unbearable grief wrought upon my body, my mind, and my spirit.

That all seems like a lifetime ago now. I am not that woman anymore. I am altered, and my life is fundamentally different. My struggle with anxiety, however, did not die with that woman standing in the ruins of her life. As I had to collect new strengths to survive grief, so too I had to reevaluate my relationship with anxiety. And so, in the end, even the anxiety embedded in my DNA has, in many ways, shifted.

For five years now, I’ve been in therapy, wrestling with my worries and gaining acceptance and knowledge about how my brain is wired. A daily practice of yoga and meditation is teaching me that even a person like me who so easily leans into a morbid state of excessive and unrealistic dread, has the power to find inner peace. Simply having the words to define my unease and to better understand it has been a sweet release. I no longer blame myself for feeling anxiety. I no longer call myself a nervous nelly. In basic terms, my struggles with anxiety are no different than my struggle with seasonal allergies. While it is my responsibility to be as mentally and emotionally healthy as possible, I no longer blame myself when all of my best strategies fail me.

Whereas a good spreadsheet will always help me quell a particular financial worry, an orderly house inspires my calm and creativity, and a fastidiously kept calendar gives me confidence in my abilities to navigate the chaos of modern life, sometimes the outside world gets in, dammit, and I am, ultimately, only human. Anxiety is not who I am, but I am a person who experiences a level of anxiety that can make me unwell. To live with it gracefully will always be a work in progress.

The trip to the ER in November was not at all graceful. It was terrifying and humbling and life reaffirming. (And that short ambulance ride was all kinds of expensive). But the caring health professionals who saw me through that panic attack and my wonderful therapist have helped me see that medication can be a useful tool and that given my proclivity to sit in an anxious seat, my trauma and grief, and the very real political and planetary uncertainties, I am doing okay. In the two weeks since the inauguration, I have experienced several days of heightened anxiety, particularly stressing the threat that changing federal policy poses to my livelihood and my life’s work.

In last week’s therapy session, I expressed a feeling of guilt not only about all the health care consumed for a panic attack but also for having the luxury of all this naval gazing when so many less fortunate people are in real jeopardy. A holdover from my childhood that my life is too lucky to feel debilitating dread. My therapist reminded me that the anxiety I feel is as real as a heart attack and that I can help no one if I am unwell. She also urged me to consider the idea that my anxiety over the election and all of the chaos and uncertainty since the inauguration is exacerbated by my empathy and heightened concern as a historian for the wellbeing of my country.

She is not wrong to refocus me in this manner. There are real worries in the world AND I am a person wired to worry and vulnerable to unrealistic dread. Thus, my unfortunate trip to the emergency room. It is much easier for me to feel the pain of empathy, however, than to breathe through anxiety, even as I must admit that I worry so much in part because I care so much. Still, empathy was never my problem. Empathy did not cause my panic attack in November, and it is not the reason I have been sitting on the anxious seat these past two weeks. The reason I am anxious is because my messy beautiful imperfect brain is misfiring. Knowing this doesn’t make my brain better, but it makes me feel better, if that makes any sense at all.

It is absolutely true that all of the processing of anxiety I have done over the past five years has been worth the effort, even as I could see that it failed me in November. I understand myself better than I did five years ago. I am more accepting of my human imperfections, and I honor every experience. From the stresses of writing a new book to the worry I am feeling about promoting the book beginning this summer and from the dread that sometimes creeps in late in the night to a troubled mind that makes me spin out the worst political and historical consequences of a disastrous election, as distressing and uncomfortable it all might be, it only becomes debilitating anxiety in the manufactured mess of my dear old brain.

Anxiety. Anguish. On the anxious seat. All of it is me and it isn’t all of me. When anxiety rises in my body, it is real and it is emotionally and physically painful. It is not a figment of my imagination. It is my struggle, part of my story, a colorful descriptive inset on the perfectly ordinary crazy map of my life. And the only difference between me and so many other people I know who experience anxiety (it is a common struggle in our society) is that I find solace and affirmation in writing about it. I have a lot of fears, trust me, but sharing my truth is not one of them. I share because it gets the sharp edges of hard experience out of my body and there is always the chance that I will reach someone out there in the world who thinks she is all alone. Okay, so that can be my excuse for this anxiety treatise. These are anxious times, and I believe a lot of us are feeling anxious.

I wonder. If all the people sitting on an anxious seat all alone decided to sit together on one giant anxious seat, we might just have evolutionary power to rewire the future. 

Dissonance

Recently I began a new project that combines writing and painting. Since I am a comfortable writer but a novice, unskilled painter, I planned to write a series of short essays and then illustrate them with watercolor. My therapist suggested that I experiment with the reverse, paint first and then write an essay. It was a terrifying prospect, so I put it off until  two weeks ago when I had an idea for a safe test, a photograph of myself doing a cartwheel in my yoga garden.

The painting is ridiculous, much like the photograph, which I thought would provoke a funny essay about how bad I am at painting, how weird it is that I like being physically upside down, and how unusual it is to be a 57-year-old woman who can and frequently does turn cartwheels. But it was not a humorous essay, even as my right humerus bone in the painting is a hoot of disproportion. The essay had nothing at all to do with my joy of cartwheels and the good rush of blood to my head. The words that came out of me instead were an emotional outpouring of how upside down I have felt all this year. Not the good kind of upside down, like a downward dog or a cartwheel, but a bad upside down like discombobulated. Dizzy. Dazed and confused. The kind of upside down that makes me want to vomit.

Grief and loneliness and the uncertainty of this damned, crazy world always make me feel sideways. Feeling sideways is just life. Nothing special about me. We all have forces that knock us askew. I have learned to balance the kind of sideways that life inflicts upon me. I counter it with creative and calm remedies I daily employ to stay upright. I practice yoga. I write. I paint. I walk, cuddle my dogs, and watch birds. Yet all during this productive year, this contented, creative, cathartic year, a new and different force threatened my uprightness. Numbers. Stupid numbers. All in my head, but these seemingly real numbers had done a number on my equilibrium; 10, 30, 57, and 80 had turned me upside down.

Mack should have turned 30 in March, and on October 7, 2024, she will be gone 10 years. Mack has been gone half the time she was here on this earth, and it is a fact that astounds me. I cannot bear it. The truth of it has been impossible to face, and spending the past twelve months being the age my dad was when he died made it more difficult. Being 57 has been like having an anvil of death hanging from a thread above my head. My dad should have turned 80 this year, and though I know so well the sharp edges of living, year after year after year, without my daughter, I want to see 80. I need to keep Mack’s memories for so much longer than a decade.

A week after painting and writing the upside-down essay, I sat at my laptop to write this annual blog post to commemorate the anniversary of Mack’s death. I couldn’t do it. I was worked up by what the painting-first, writing-second process had unearthed and unleashed. It is not at all a bad thing to examine my emotions but looking for answers to my upside down made it hard to find the words to express my state of disorientation, my fear of the numbers.

But while I was stumbling and struggling to right myself, I got an unexpected email. A watercolor of mine was accepted for publication in a quirky online journal called Waves. It was a self-portrait I had done while recovering from the deep removal of skin cancer from my ear. I painted it to find humor in my fear about the plastic surgery I would have to repair the damage. The issue of Waves in which “My Left Ear” appears is entitled “Dissonance.”

Dissonance. Yes, that is precisely what I was feeling.

Dissonance: the lack of harmony among musical notes.

Dissonance explained my year, my numbers, and my false belief that I was upside down in a bad way. Some notes of my life this past year have been lovely chimes out of creative flurry, the completion of a new book, professional accomplishment, and the establishment of new friendships. Other notes clunked from fear, exhaustion, and physical pain. The note of those damned numbers clanked. The note of no yoga for five weeks of convalescence honked like an injured goose. The note of my trepidation of a new project I wasn’t sure I had the talent to do justice thumped a little too deeply to be good bass. And grief, oh my dear constant grief, is always an unharmonious whisper.

Dissonance is awkward and unpleasant, but it makes you long for melody. It makes you want to hear and see and feel your life differently. I had lost my tune. My song was, indeed, dissonant, but I was still singing.

In painting, perspective is one of the hardest skills to master, much as perspective in real life is almost always hard learned. Recasting my year as dissonance didn’t erase the worry that had plagued me, nor did it give me hope that the next year of my life will be harmonious or even a little less dissonant. It didn’t help me figure out how to write about what it means to me that I’ve passed ten years without Mack, either. A perspective of dissonance does, however, give me back my beautiful and necessary upside down, my downward dogs and my cartwheels. Oddly, too, the idea of dissonance is a gentle reminder that I am only human.

A definition of dissonance might also have soothed my dread of those dastardly numbers.

No.

No, actually, as Mack’s spirit is reminding me as I write this, it is just that the year of awful numbers will soon come to an end. After breathing and sobbing through another October 7, I will turn 58 on October 9, and then I will fall sideways into whatever future starts for me on October 10.

There is precious little we can control. Life will blow us off our feet in terrible and beautiful directions we cannot predetermine. Dissonance is just the range of all emotions, the far and wide of the good, and the depth of the sorrow that life gives us. Dissonance keeps us awake and alive. It helps us appreciate the precious melodies. Mack is alive for me in my dissonance and in my melody. She is with me in the joyful upside down. She will be with me ever still, going forward, laughing at my ridiculous paintings, teasing me out of the dark hours, and singing be back into tune so I can keep her stories and continue writing and painting my own.

On painting Mack: I find it very painful to paint her face and to imagine her in watercolor. Watercolor is like a dream, and I long to paint her alive. I have tried and failed to capture her lovely spirit. When I paint anything else, I am fearless, but painting Mack opens a vulnerability that is terrifying. But, when I am brave, I will keep trying to do her justice. My painting, after all, is not art, it is therapy. It will remain a work in progress, just like me.

Out of Words

I have not been writing much this year. I am not quite myself, and I feel a little adrift.  Writing has always been my creative outlet, and since my daughter died my emotional release valve. Writing is how I understand the world, process pain, document joy, try out crazy ideas, and express thoughts I could never say out loud. It is frustrating to lose a tool that keeps me sane, but it occurred to me the other day that there is a good reason why writing is eluding me. I know why it took me the better part of a day to write a blog post for work and why when I sit down to write in the evening the blinking cursor stares me down.

I am out of words.

Writing is giving me a holiday because my brain is tired. I spent the last half of 2022 and all of 2023 preparing a 900-page edited volume for the Jane Addams Papers and writing my own book about women and Abraham Lincoln. Of course I am out of words. I used them all up!

And it is true I am not quite myself without them. I am adrift. But I am only a little adrift, which is to me, to quote Lincoln, a matter of profound wonder. I have been doing okay without writing for these first two months of 2024. I have been calmly weathering my missing words because I have a second tool to keep me sane. Watercolor.

Last July, my therapist suggested watercolor. We are working on my obsession with control and the anxiety that overtakes me when I don’t have it. She believed watercolor might help me feel the power of letting go, that learning to go with the flow of the water and the color making their own way across the paper might show me how calming it can be to loosen my grip. As a bonus, she was certain watercolor could compliment my writing.

I was skeptical. I am an old dog and afraid of new tricks. I assumed painting would frustrate me. I am not artistic, I said. I can’t draw, I said. Failure will make me sad, I said.

On my first day of painting, I ate all those stupid, doubting, self-defeating words.  And I have been painting ever since, completing, thus far, nearly 100 small watercolors. I do let the water and the color have a say, and I love the imperfect paths and the unexpected visions they reveal to me. I admit I try to control the water and the color more than my therapist would like, but I am learning to let go, becoming chill with imperfection, and laughing all the way. When I sit down to paint, I am as calm as I am when I sit down on my yoga mat. For a half hour or so I express myself in color instead of words; and there is so much joy in every silly, little painting I produce. In fact, I laugh deeper down in my belly at my failures.

I haven’t been writing this year, this is true. But I have been painting. And I am learning that expression is sometimes silent. I am discovering that painting is another way for me to understand the world. In my watercolors, I have documented joy, tried out a couple of crazy ideas, expressed some thoughts I could never say out loud or even write, and processed a lot of pain about by daughter, my dad, and my dog. Painting has become a part of my soul.

But enough already, missing words. I want to pursue the idea that watercolor might compliment my writing. Come back now please. I need to write. I feel you close as I write this post, and I want you back. Now, please. I want to introduce you to watercolor.